Alma - The Film
Part 1: In my Fathers Garden
Born in 1879, the daughter of prominent Viennese landscape
painter Emil Jakob Schindler, ALMA grows up in a privileged
environment;
Gustav Klimt, cofounder of the Viennese Sezession and
brilliant Jugendstil painter, is in and out of her parents
house, indeed stealing a very first kiss from ALMA; theatre
director Max Burckhard fosteres her nascent interest in classical
and modern literature, while composer Alexander Zemlinsky
is her composition tutor and becomes her first lover. She
allowes him to kiss and caress her and permits him every intimacy
but the ultimate, thereby almost driving him to madness. The
relationship is an emotional rollercoaster until, at
the age of 22, ALMA decides against him and in favour of composer
and conductor Gustav Mahler, 20 years older than she.
ALMA, »the most beautiful girl in Vienna«, takes
a bold step, causing a sensation in Vienna: she marries Mahler
who, as Director of the Royal Opera, holds one of the most
powerful positions in the Viennese music scene.
ALMA is to share with him the last nine years of his life.
The price she pays is high. She has to give up her own artistic
aspirations, and the desire to become a composer herself is
nipped in the bud. Mahler wishes her to be a housewife and
mother, not a rival. ALMA gives him two daughters, one of
whom dies young, while the other, Anna, becomes a sculptress.
After eight years of marriage, ALMA seeks consolation for
all her years of disappointment and privation in the arms
of the young architect Walter Gropius who, with the Bauhaus
movement has a major impact on modern architecture. He is
the only man who, in ALMAs words, »is her racial
equal«. After the years with Mahler, which have been
marked by privation and austerity, ALMAs pentup
longing to be taken seriously as a woman now explodes within
her. The two become utterly absorbed in unbridled nights of
love.
The result of this is an encounter between Gustav Mahler
and Sigmund Freud, who is consulted by Mahler after the revelation
of the relationship between ALMA and Gropius. This meeting
is very mysterious; it takes place in the Dutch health resort
of Leiden, and lasts just briefly. Scarcely any documents
exist revealing exactly what takes place, but it becomes evident
that Freud penetrates the essence of the relationship, which
was marked by a mutual longing for a father and mother substitute.
ALMA and Mahler had thus been living under the shadow of the
taboo of incest.
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