|                    Alma - The Film                   Part 1: In my Fathers Garden                                          Born in 1879, the daughter of prominent Viennese landscape                     painter Emil Jakob Schindler, ALMA grows up in a privileged                     environment;                      Gustav Klimt, cofounder of the Viennese Sezession and                     brilliant Jugendstil painter, is in and out of her parents                     house, indeed stealing a very first kiss from ALMA; theatre                     director Max Burckhard fosteres her nascent interest in classical                     and modern literature, while composer Alexander Zemlinsky                     is her composition tutor and becomes her first lover. She                     allowes him to kiss and caress her and permits him every intimacy                     but the ultimate, thereby almost driving him to madness. The                     relationship is an emotional rollercoaster until, at                     the age of 22, ALMA decides against him and in favour of composer                     and conductor Gustav Mahler, 20 years older than she.                   ALMA, »the most beautiful girl in Vienna«, takes                     a bold step, causing a sensation in Vienna: she marries Mahler                     who, as Director of the Royal Opera, holds one of the most                     powerful positions in the Viennese music scene.                      ALMA is to share with him the last nine years of his life.                     The price she pays is high. She has to give up her own artistic                     aspirations, and the desire to become a composer herself is                     nipped in the bud. Mahler wishes her to be a housewife and                     mother, not a rival. ALMA gives him two daughters, one of                     whom dies young, while the other, Anna, becomes a sculptress.                   After eight years of marriage, ALMA seeks consolation for                     all her years of disappointment and privation in the arms                     of the young architect Walter Gropius who, with the Bauhaus                     movement has a major impact on modern architecture. He is                     the only man who, in ALMAs words, »is her racial                     equal«. After the years with Mahler, which have been                     marked by privation and austerity, ALMAs pentup                     longing to be taken seriously as a woman now explodes within                     her. The two become utterly absorbed in unbridled nights of                     love.                   The result of this is an encounter between Gustav Mahler                     and Sigmund Freud, who is consulted by Mahler after the revelation                     of the relationship between ALMA and Gropius. This meeting                     is very mysterious; it takes place in the Dutch health resort                     of Leiden, and lasts just briefly. Scarcely any documents                     exist revealing exactly what takes place, but it becomes evident                     that Freud penetrates the essence of the relationship, which                     was marked by a mutual longing for a father and mother substitute.                     ALMA and Mahler had thus been living under the shadow of the                     taboo of incest.                                          <<                     back                    |                   |